Theologically-minded people get cynical.
This is to our shame.
One of the worst places that this cynicism shows up is in corporate worship as we sing songs to God. I know because I experience this personally on a weekly basis. I get critical about what we sing, and I hear my friends talk about it, too.
But really, we need to stop.
Yes, there are reasons to dislike certain worship songs.
Yes, it is true that many songs are less than 100% theologically precise.
Yes, some songs even use apparently incorrect theology.
Despite all this, rarely does a song pop up with is legitimately dangerous or so wrong that it cannot be sung by a godly heart. The songs which make rounds in our average evangelical Protestant churches may not always be of the highest musical and theological quality, but that doesn’t give us an excuse to cringe at lyrics when we could be worshipping the Almighty God.
And honestly, I’m rarely convinced that the problems identified with certain songs actually have to be problems. More often than not, we let our idiosyncrasies distort the reality. We’re so smug and proud of our theological purity that we are immediately suspicious of wording that we might not have chosen, even if the actual meaning is perfectly innocuous. We would be better off suspending our judgment and trying to figure out if a line is really flirting with heresy or if maybe we’re reading it wrong.
Take a couple of examples.
In “Holy Spirit” by Kari Jobe, I’ve heard people take issue with the line, “Holy Spirit, You are welcome here.” The usual response is, “Who do we think we are to tell the Holy Spirit where He is welcome? He can come and go wherever He wants!” But this is a silly objection. No one singing this line means to say, “Alright, Holy Spirit, in my personal sovereignty I give You, my humble Servant, permission to enter this room.” The real meaning is clear to anyone who is willing to give the benefit of the doubt: we are eager and receptive to the work of the Holy Spirit. We are praying for Him to act, saying that we are willing to listen and not resist.
“Good, Good Father” also gets a lot of flack, not just among theological types but even many others. I’ve seen some serious hate directed its way, such as here and here. And I’ll admit quickly that it’s a bit silly, certainly not quality music, especially in the first verse. But even so, I think the criticisms are mostly off-base. People complain about “You tell me that You’re pleased” as though the Father does not declare us pleasing to Him in the Son. One Calvinist complained about “I’m loved by You” as though Christians should remain skeptical about God’s love for them while worshipping Him. They hate on the mindless repetition, vague sentimentality, and lack of any distinctively Christian language. But really, really, what can you actually find in this song that explicitly contradicts Scripture and would be sung by your average worshipper in a way that turns them away from their heavenly Father? I find no such thing.
I won’t bother with any more examples for now. The point is clear enough. We need to quit with the snobbery, the arrogance, the hyper-particularity that distract our minds from the divine glory. Every once in a while we might stumble upon a song that is legitimately unacceptable, but most of the time we’re being picky, failing to apply the benefit of the doubt, and asserting our superiority over people who write and sing these songs. That’s not worship. So let’s leave this all behind and just focus on God. (And if the lyrics trip you up, be creative. I’m sure you can find an interpretative way to sing them with a meaning that fits your theology, unless your theology is a jerk.)